Representation of Gender Equality in Ngeri Ngeri Sedap Films

Auliya Wahyu Larasati*, Wiwid Adiyanto

Abstract


Film can be the means in deliver issue social the one the story alone contains the problem of gender equality in it, as is the reality of social life equality gender able create distance position between women and men. This study uses a descriptive qualitative method using semiotic analysis from Charles Sanders Pierce. The paradigm in research is clinking to the critical paradigm. This research focuses on signs that show gender equality both verbally and non- verbally on screen on certain scene in the film Horrified Sedap. Theory representation Stuart Hall if be associated with issue equality gender in the film Horrified Horrified will show the film as a medium of criticism today because it is still numerous because it is influenced by reality and culture. The findings on gender equality research are discussed in order to carry out the plan. 2) gender equality in obtaining employment opportunities. 3) the attitude of resistance, the attitude of resistance by the female character against the male character and the resistance of the male character against the male character. 4) the right to voice opinions and concerns of both women and men. 5) the existence of success that has arisen thanks to the cohesiveness of the business of women and men.


Full Text:

PDF

References


Adiyanto, W. (2021). Mitos Vagina Ideal dalam Iklan Sabun Kewanitaan. Jurnal Riset Komunikasi, 4(2), 160–178. https://doi.org/10.38194/jurkom.v4i2.30.

Adiyanto, W., & Saptiyono, A. (2022). Representasi Laki-Laki dan Perempuan dalam Iklan Tehicha. Avant Garde, 10(1), 82. https://doi.org/10.36080/ag.v10i1.1716

Albar, M. W. (t.t.). ANALISIS SEMIOTIK CHARLES SANDER PIERCE TENTANG TAKTIK KEHIDUPAN MANUSIA: DUA KARYA KONTEMPORER PUTU SUTAWIJAYA. 13(2). https://doi.org/10.34050/jlb.v13i2.5447

Alfraita, A., Wardhani, T. F., & Ekantoro, J. (2022). REPRESENTASI KESETARAAN GENDER DALAM FILM MULAN (Analisis Semiotika Roland Barthes film Mulan). 1(1). http://ejurnal.uwp.ac.id/gesi/index.php/jurnalgesi/article/view/142

Annur, C. (t.t.). Daftar Film Indonesia Terlaris Tahun 2022, Mana Favoritmu? | Databoks. Diambil 3 April 2023, dari https://databoks.katadata.co.id/datapublish/2022/11/23/daftar-film-indonesia-terlaris-tahun-2022-mana-favoritmu

antaranews.com. (t.t.). Memajukan perfilman Indonesia—Infografik ANTARA News. Antara News. Diambil 3 April 2023, dari https://www.antaranews.com/infografik/3130365/memajukan-perfilman-indonesia

Badan Pusat Statistik. (t.t.). Diambil 3 April 2023, dari https://www.bps.go.id/indicator/2/968/1/persentase-judul-film-yang-ditayangkan-oleh-perusahaan-bioskop-menurut-genre.html

Daradinanti, A. (t.t.). Mengapa Kesetaraan Gender itu Penting? Halaman all—Kompas.com. Diambil 3 April 2023, dari https://www.kompas.com/skola/read/2022/04/06/120000069/mengapa-kesetaraan-gender-itu-penting?page=all

Fauzi, N. A. (2019). CAPTAIN MARVEL: Kesetaraan Gender dalam Perspektif Tokoh Superhero. spectā: Journal of Photography, Arts, and Media, 3(2), 73–79. https://doi.org/10.24821/specta.v3i2.2957

Fikri, C. (t.t.). Film Ngeri-Ngeri Sedap Borong Tujuh Penghargaan di FFWI 2022. beritasatu.com. Diambil 3 April 2023, dari https://www.beritasatu.com/lifestyle/994493/film-ngeringeri-sedap-borong-tujuh-penghargaan-di-ffwi-2022

Hall, S., & Open University (Ed.). (1997). Representation: Cultural representations and signifying practices. Sage in association with the Open University.

Hayati, I. (t.t.). Film Ngeri-ngeri Sedap Rilis Poster dan Trailer, Siap Tayang 2 Juni 2022—Seleb Tempo.co. Diambil 3 April 2023, dari https://seleb.tempo.co/read/1584272/film-ngeri-ngeri-sedap-rilis-poster-dan-trailer-siap-tayang-2-juni-2022

Jane, M. R., & Kencana, W. H. (2021). REPRESENTASI KESETARAAN GENDER PADA FILM LIVE-ACTION “MULAN” PRODUKSI DISNEY. Ikon --Jurnal Ilmiah Ilmu Komunikasi, 26(1), Article 1. https://journals.upi-yai.ac.id/index.php/IKON/article/view/1228

Kristiani. (2022, Oktober 6). Film Ngeri Ngeri Sedap Tayang di Netflix, Sinopsis dan Daftar Pemain. KOMPAS.com. https://www.kompas.com/hype/read/2022/10/06/145451666/film-ngeri-ngeri-sedap-tayang-di-netflix-sinopsis-dan-daftar-pemain

layarxxi. (t.t.). Nonton & Download Film Ngeri-Ngeri Sedap (2022) Streaming Movie Bioskop. Diambil 3 April 2023, dari https://layarxxi.cc/ngeri-ngeri-sedap-2022/

Lestari, P. (2019, Maret 8). 4 Film Indonesia Bertema Kesetaraan Gender untuk Rayakan Hari Perempuan Sedunia. fimela.com. https://www.fimela.com/entertainment/read/3912083/4-film-indonesia-bertema-kesetaraan-gender-untuk-rayakan-hari-perempuan-sedunia

Maharani, N. (t.t.). Wajah Perempuan dalam Film “Ngeri-Ngeri Sedap.” kumparan. Diambil 3 April 2023, dari https://kumparan.com/dafira080204/wajah-perempuan-dalam-film-ngeri-ngeri-sedap-1zXzjqk1tOn

Manulang, A. (t.t.). Film 'Ngeri-Ngeri Sedap’: Perempuan Harus Menuruti Adat, Laki-laki Punya Privilege Pergi Merantau—Konde.co. Diambil 3 April 2023, dari https://www.konde.co/2022/06/film-ngeri-ngeri-sedap-perempuan-menuruti-adat-laki-laki-dapat-privilege-pergi-merantau.html/

Meodia, A. (2020, April 22). Hannah Al Rashid bicara soal kesetaraan gender di industri film. Antara News. https://www.antaranews.com/berita/1437984/hannah-al-rashid-bicara-soal-kesetaraan-gender-di-industri-film

Mulachela, H., Teluma, A. R., & Paramita, E. P. (2019a). Gender Equality Messages in Film Marlina The Murderer In Four Acts. JCommsci - Journal Of Media and Communication Science, 2(3), 136–147. https://doi.org/10.29303/jcommsci.v2i3.57

Mulachela, H., Teluma, A. R., & Paramita, E. P. (2019b). Gender Equality Messages in Film Marlina The Murderer In Four Acts. JCommsci - Journal Of Media and Communication Science, 2(3), 136–147. https://doi.org/10.29303/jcommsci.v2i3.57

Nariswari, F. S. (2018). Film Fiksi.: Antara Identitas Film Nasional dan Sinema Pasca-Orde Baru. Urban: Jurnal Seni Urban, 1(2), 195–210. https://doi.org/10.52969/jsu.v1i2.13

Nuraeni, Y., & Lilin Suryono, I. (2021). Analisis Kesetaraan Gender dalam Bidang Ketenagakerjaan Di Indonesia. Nakhoda: Jurnal Ilmu Pemerintahan, 20(1). https://doi.org/10.35967/njip.v20i1.134

Penthatesia, C. (2022, Oktober 17). Daftar Top Film Netflix Hari Ini di Indonesia, Ada Ngeri-Ngeri Sedap. PT. Kontan Grahanusa Mediatama. https://www.momsmoney.id/news/daftar-top-film-netflix-hari-ini-di-indonesia-ada-ngeri-ngeri-sedap-1

Putri, I. P. (2017). INDUSTRI FILM INDONESIA SEBAGAI BAGIAN DARI INDUSTRI KREATIF INDONESIA. Jurnal Ilmiah LISKI (Lingkar Studi Komunikasi), 3(1), 24. https://doi.org/10.25124/liski.v3i1.805

Qomariah, D. N. (2019). PERSEPSI MASYARAKAT MENGENAI KESETARAAN GENDER DALAM KELUARGA.https://doi.org/10.37058/jpls.v4i2.1601

Rahmat, T. (2022, Juni 6). Bisnis Ernest Prakasa Lewat PH Imajinari yang Cetak Cuan—MEDIAINI. https://mediaini.com/info-terkini/2022/06/06/86818/bisnis-ernest-prakasa/

Sanjaya, R., Fitriyah, N., & Nurliah. (2020). REPRESENTASI DISKRIMINASI GENDER DALAM FILM TELEVISI BADIK TITIPAN AYAH. http://ejournal.ilkom.fisip-unmul.ac.id/site/wp-content/uploads/2020/12/JURNAL%20-%20Rio%20Rizki%20S%20-%201402055015%20(12-16-20-12-47-58).pdf

shehacks. (t.t.). Stigma Gender di Balik Layar Industri Film Indonesia. Diambil 3 April 2023, dari https://shehacks.id/artikel/stigma-gender-di-balik-layar-industri-film-indonesia/

Sobur, A. (2018). Semiotika komunikasi. Remaja Rosdakarya.

vera, N. (2014). Semiotika dalan Riset Komunikasi. Gajah Indonesia.

Wibawa, S. (2020). Representasi Anak-Anak dalam Film Jermal. Jurnal ILMU KOMUNIKASI, 17(2), 217–232. https://doi.org/10.24002/jik.v17i22195

Wijaya, V. (2022, Maret 21). Sinopsis Ngeri-ngeri Sedap, Angkat Kisah Keluarga Batak. KOMPAS.com. https://www.kompas.com/hype/read/2022/03/21/145900666/sinopsis-ngeri-ngeri-sedap-angkat-kisah-keluarga-batak

Yuliaswir, P., & Abdullah, A. (2019.). REPRESENTASI BUDAYA JAWA DALAM VIDEO KLIP TERSIMPAN DI HATI (ANALISIS SEMIOTIKA CHARLES SANDERS PIERCE). 1(5). http://dx.doi.org/10.24014/jrmdk.v1i5.8762

Yuwita, N. (2019). REPRESENTASI NASIONALISME DALAM FILM RUDY HABIBIE (STUDI ANALISIS SEMIOTIKA CHARLES SANDERS PIERCE). https://doi.org/10.35891/heritage.v6i1.1565




DOI: https://doi.org/10.24815/jr.v6i2.31699

Article Metrics

Abstract view : 0 times
PDF - 0 times

Refbacks

  • There are currently no refbacks.


Creative Commons License
This work is licensed under a Creative Commons Attribution 4.0 International License.

__________________________________________________________

Riwayat: Educatioanl Journal of History and Humanities


Published: Departemen of History Education, Faculty of Teacher Training and Education, Universitas Syiah Kuala, Provinsi Aceh. Indonesia

Situs web: https://jurnal.usk.ac.id/riwayat
Email: riwayat@usk.ac.id

Lisensi Creative Commons
Karya ini dilisensikan di bawah Lisensi Internasional Creative Commons Atribusi-BerbagiSerupa 4.0.